Aerial view of a sleek, elongated aircraft or vessel resting on pale ground divided by geometric lines, surrounded by dark forested areas and shadowed terrain.

Beyond

Robert Bingaman

9/12/2025 – 11/1/2025

Four or five years ago, I began a conversation with my eighty-year-old self. For a time he guided me. Then, as the world tilted further toward oblivion, he went quiet and became harder to find.

In the studio I live with the questions he no longer answers. I find myself circling certain images, letting them return on their own terms. Stillness and movement trade places—sometimes hiding in each other—and painting slowly teaches me what lies between image and object. From idea to thing. Inward, then beyond.

From within that process, a new voice has come. Not god, not some conjured archetype—only an earnest whisper. No promises, no hope. No answers. He notices what I overlook. The quiet, the ordinary, the faint electric hum beneath it all. He points, like a child. “There,” he says. “…that.” And just as often: “Again.”

It pleases me to please him. He is the oldest thing I know.

RJB

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Haw Contemporary is pleased to present Beyond, a new body of work by Kansas–based painter Robert Bingaman. Known for his luminous, psychologically charged landscapes and still lifes, Bingaman here turns his attention to images that oscillate between the ordinary and the extraordinary, including Waffle House exteriors, Cold War communications systems, stealth aircraft, and alpine vistas. The paintings are grounded in careful observation yet infused with a searching interiority, evoking the hum of memory, the weight of history, and the fragile space between stillness and motion. In Beyond, Bingaman continues his long-standing pursuit of the sublime in contemporary life, distilling vast cultural symbols and fleeting personal moments alike into meditations on time, mortality, and perception.

  • A minimalist gallery interior with polished concrete floors and white walls displays several paintings. The central work depicts a snow-capped mountain glowing red against a dark night sky, reflected in still water below. Additional smaller dark paintings are positioned on the right wall, while doorways and skylights punctuate the left side of the space.
  • Gallery interior with four paintings hung on white walls under industrial ceiling. On the left, a large square canvas depicts a snow-capped mountain glowing red at dusk, reflected in still water beneath a dark blue sky. On the right wall, three smaller vertical canvases show nocturnal forest scenes with pale geometric shapes suggesting structures or clearings against dense dark trees.
  • Four square paintings arranged horizontally on a white gallery wall, each depicting a glowing yellow-green diner or structure set against a dark teal sky and black landscape. The compositions are nearly identical, with subtle variations in the positioning and intensity of the illuminated buildings.