A luminous blue-green rectangular form hovers above a textured, dark ground against a black background, rendered in a minimalist composition that emphasizes isolation and subtle atmospheric depth.

Paintings for Algorithm

Robert Bingaman

3/21/2025 – 5/17/2025

There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;

And frogs in the pools singing at night,
And wild plum trees in tremulous white,

Robins will wear their feathery fire
Whistling their whims on a low fence-wire;

And not one will know of the war, not one
Will care at last when it is done.

Not one would mind, neither bird nor tree
If mankind perished utterly;

And Spring herself, when she woke at dawn,
Would scarcely know that we were gone.

Sara Teasdale, from “There Will Come Soft Rains”

Exhibition Images ()

  • Gallery interior view displaying two paintings mounted on white walls. On the left, a geometric composition depicting an interior space with red central forms and angular black architectural elements. On the right, a minimalist dark painting with a single light blue rectangular form against a black wall and teal-toned ground. Concrete floor visible below.
  • Abstract composition featuring a stark black upper half with a bright blue rectangular form floating horizontally, and a textured teal-green curved shape in the lower portion against a white gallery wall, presented in a light wood frame.
  • Two abstract paintings mounted on a white gallery wall above a polished concrete floor: a large square composition with warm orange and tan cork or textured material featuring darker speckled patterns, and a smaller rectangular work in dark navy blue with subtle surface variations.
A luminous blue-green rectangular form hovers above a textured, dark ground against a black background, rendered in a minimalist composition that emphasizes isolation and subtle atmospheric depth.

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