Nate Fors is an American painter and multidisciplinary artist whose practice encompasses painting, drawing, sculpture, public art, video, installation, and performance collaboration. Over several decades, Fors has developed a visual language that moves freely between abstraction and recognizable imagery, combining color, line, symbols, diagrams, fragments of language, and recurring forms into compositions that explore perception and the ways images acquire meaning.

Painting remains at the center of Fors's practice. His works often develop through accumulation and improvisation rather than a predetermined composition, with forms appearing, disappearing, and changing through successive layers. Geometric structures coexist with gestural marks, organic shapes, signs, and diagrammatic elements, creating images that can feel simultaneously spontaneous and carefully organized.

This interest in visual systems extends beyond the canvas. Fors has consistently moved between studio work and projects that occupy architectural, public, and performative space. His installations and sculptures translate the energy and graphic vocabulary of his paintings into physical form, while his work with video, projection, costumes, and stage environments introduces movement, duration, and the human body into his practice.

At Haw Contemporary, Fors presented no visible means of support in 2021, an exhibition that foregrounded chance, drifting, recognition, response, salvage, and improvisation within his painting process. He returned with To Health and Back in 2024, continuing his resistance to predetermined outcomes and his interest in the nonlinear way a painting develops. He has also participated in Haw Contemporary group exhibitions including 9, Every Street, and Loose Group.

Fors has received significant recognition throughout his career. His work has been the subject of a solo exhibition at the Nelson-Atkins Museum of Art, and his paintings are held in the permanent collections of the Nelson-Atkins Museum of Art, Kemper Museum of Contemporary Art, Nerman Museum of Contemporary Art, and Spencer Museum of Art.

His honors include a National Endowment for the Arts Fellowship, a Charlotte Street Fund Award, an Avenue of the Arts Foundation Award, and a Missouri Visual Artists Biennial Fellowship. He also taught painting at the Kansas City Art Institute for ten years.

Since 2008, Fors has maintained an extensive collaboration with the Owen/Cox Dance Group, creating video, projections, costumes, scenic elements, and visual environments for contemporary dance performances.