Four-panel suite of stylized graphic compositions in yellow, white, brown, and red. Top left depicts a curved measuring tape and sewing needle on brown background. Top right shows hands manipulating a wooden stick or rod against yellow. Bottom left features a yellow face with exaggerated features enclosed in concentric red circles. Bottom right displays an abstract composition of brown and red geometric forms on yellow ground. Bold outlines and flat color planes throughout create a graphic, modernist aesthetic.

Roger Shimomura Bio

Roger Shimomura’s paintings, prints, and theatre pieces address sociopolitical issues of ethnicity. He was born in Seattle, Washington and spent two early years of his childhood in Minidoka (Idaho), one of 10 concentration camps for Japanese Americans during WWII. Shimomura received a B.A. degree from the University of Washington, Seattle, and an M.F.A. from Syracuse University, New York. He has had over 130 solo exhibitions of paintings and prints, as… Read more

Roger Shimomura’s paintings, prints, and theatre pieces address sociopolitical issues of ethnicity. He was born in Seattle, Washington and spent two early years of his childhood in Minidoka (Idaho), one of 10 concentration camps for Japanese Americans during WWII.

Shimomura received a B.A. degree from the University of Washington, Seattle, and an M.F.A. from Syracuse University, New York. He has had over 130 solo exhibitions of paintings and prints, as well as presented his experimental theater pieces at such venues as the Franklin Furnace, New York City, Walker Art Center, Minneapolis, and The Smithsonian Institution, Washington, DC. He is the recipient of more than 30 grants, of which 4 are National Endowment for the Arts Fellowships in Painting and Performance Art. Shimomura has been a visiting artist and lectured on his work at more than 200 universities, art schools, and museums across the country. In 1999, the Seattle Urban League designated a scholarship in his name that has been awarded annually to a Seattle resident pursuing a career in art. In 2002 he received the College Art Association Distinguished Body of Work Award. The following year, he delivered the keynote address at the 91st annual meeting of CAA in New York City. In 2003 he was a recipient of the Joan Mitchell Foundation Painting Award. In 2006, he was accorded the Distinguished Alumnus Award from the School of Arts & Sciences, University of Washington, Seattle, and five years later was one of 50 alumni to be presented with the “150th Anniversary Timeless Award”. A past winner of the Kansas Governor’s Arts Award, in 2008, he was designated the first Kansas Master Artist and the same year was honored by the Asian American Arts Alliance, N.Y.C. as "Exceptional People in Fashion, Food & the Arts." In 2011 Shimomura was designated a United States Artist Fellow in Visual Arts and the next year delivered the commencement address to Garfield High School, Seattle, his alma mater.

Shimomura began teaching at the University of Kansas, Lawrence, KS in 1969. In the fall of 1990, Shimomura held an appointment as the Dayton Hudson Distinguished Visiting Professor at Carleton College, Northfield, Minnesota. Shimomura began teaching at the University of Kansas, Lawrence, in 1969. During his teaching career at the University of Kansas he was the first faculty member ever to be designated a University Distinguished Professor (1994), receive the Higuchi Research Prize (1998) and the Chancellor’s Club Career Teaching Award (2002). In 2004 he retired from teaching and started the Shimomura Faculty Research Support Fund, an endowment to foster faculty research in the Department of Art.

Shimomura is in the permanent collections of over 90 museums nation wide. His personal papers and letters are being collected by the Archives of American Art, Smithsonian Institution in Washington, DC. He is represented by Flomenhaft Gallery, New York City, Greg Kucera Gallery, Seattle, Eight Modern Gallery, Santa Fe, and Byron C. Cohen Gallery, Kansas City.

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