Split composition contrasting an aerial view of geometric agricultural rows in vivid green with an abstract architectural drawing rendered in black lines and neutral tones, exploring the relationship between human intervention, natural landscape, and conceptual space.

SiteParallels

Marcie Miller Gross, Armin Mühsam

9/28/2018 – 10/27/2018

Haw Contemporary presents SiteParallels, bringing together the sculpture of Marcie Miller Gross and the paintings of Armin Mühsam. The title of the show points to the shared conceptual and aesthetic inclinations of the two artists while acknowledging that these affinities have evolved from independent practices.  Each of their bodies of work is characterized by a certain restraint of expression, an insistence on clearly defined form, and an architectural investigation of time and place. In different ways but with similar sensibilities, both artists evoke human presence through its absence, employing stillness and emptiness as a strategy to open up a space for reflection.

Miller Gross’s site-responsive objects, made of materials such as industrial felt, plywood, and vellum, retain a close connection to their organic origins. In an accumulative process of folding, stacking, and cutting, she builds forms that utilize an elemental architectural language. Her new body of work presents sculptural objects together with photographs of specific sites. In this manner, Miller Gross explores the dynamic between the specifics of place as determined by geography and history, and the ephemeral and idiosyncratic processing of place through one’s perception and memory.

Armin Mühsam’s paintings are similarly preoccupied with place and time. He paints landscapes and interiors that reference those genres as well as probe their viability in contemporary contexts. For him, history plays itself out in the dialectic between the modernist conception of autonomous form and the traditional conception of form as a vehicle to express ideas. In his compositions, the geometry of architecture is a stand-in for Western culture’s confrontational relationship with the natural world; the depicted sites are emblematic of our society’s use of the grid as a way to hold the unpredictability of its counterpart in check.

Location: Haw Contemporary Crossroads 

Opening Reception: Friday September 28th, 6-9pm

  • Long wooden sculptural form with horizontal linear striations lying diagonally across a concrete gallery floor, positioned between white walls and a window, evoking architectural minimalism through stacked and folded natural materials.
  • Gallery wall displaying three artworks: a blurred horizontal photograph with green and earth tones mounted centrally, a small wooden shelf with green felt forms on the lower left, and a bright photograph of a colorful striped architectural structure on the right.
  • On a white wall, a small illustrated panel depicting interior architectural elements with warm wood tones and geometric forms hangs on the left, while a larger dark gray sculptural object with angular cut-outs and a white diagonal element extends from the right side.