A two-panel diptych featuring densely layered text and gestural marks in black, white, and blue across a light gray ground. The composition is heavily abstracted with overlapping linear patterns, organic forms, and areas of translucent blue that create depth and movement across the canvas surfaces.
A two-panel diptych featuring densely layered text and gestural marks in black, white, and blue across a light gray ground. The composition is heavily abstracted with overlapping linear patterns, organic forms, and areas of translucent blue that create depth and movement across the canvas surfaces.

Kika Karadi Bio

Karadi was born in Budapest, Hungary in 1975 and received a BFA from the Maryland Institute College of Art in Baltimore. Her work has been exhibited at the 51st Venice Biennale and the 2nd Prague Biennale. Solo exhibitions include: Jonathan Viner Gallery, London, and the Journal Gallery, Brooklyn, NY (both 2014); Process Museum, Ventana Gallery, Oro Valley, AZ (2013); New Paintings, the Bowery Basement Annex, New York, NY (2012); Dark… Read more

Karadi was born in Budapest, Hungary in 1975 and received a BFA from the Maryland Institute College of Art in Baltimore. Her work has been exhibited at the 51st Venice Biennale and the 2nd Prague Biennale. Solo exhibitions include: Jonathan Viner Gallery, London, and the Journal Gallery, Brooklyn, NY (both 2014); Process Museum, Ventana Gallery, Oro Valley, AZ (2013); New Paintings, the Bowery Basement Annex, New York, NY (2012); Dark Matter, AMFA Gallery, New York, NY (2011); and Observing Naked Singularities, Vibrational Optics and the Paradigm of a Quantum Life, Galleria Rubin, Milan, Italy (2009). Karadi completed a studio residency at The Chinati Foundation, Marfa, TX in 2017.

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