A composition of overlapping profile portraits rendered in black ink and gestural marks against a textured, cream-colored ground. The faces are layered and fragmented, with expressive linear strokes creating movement across the surface, creating an abstract, layered effect that suggests multiple perspectives simultaneously.
A composition of overlapping profile portraits rendered in black ink and gestural marks against a textured, cream-colored ground. The faces are layered and fragmented, with expressive linear strokes creating movement across the surface, creating an abstract, layered effect that suggests multiple perspectives simultaneously.

Kika Karadi Bio

Karadi was born in Budapest, Hungary in 1975 and received a BFA from the Maryland Institute College of Art in Baltimore. Her work has been exhibited at the 51st Venice Biennale and the 2nd Prague Biennale. Solo exhibitions include: Jonathan Viner Gallery, London, and the Journal Gallery, Brooklyn, NY (both 2014); Process Museum, Ventana Gallery, Oro Valley, AZ (2013); New Paintings, the Bowery Basement Annex, New York, NY (2012); Dark… Read more

Karadi was born in Budapest, Hungary in 1975 and received a BFA from the Maryland Institute College of Art in Baltimore. Her work has been exhibited at the 51st Venice Biennale and the 2nd Prague Biennale. Solo exhibitions include: Jonathan Viner Gallery, London, and the Journal Gallery, Brooklyn, NY (both 2014); Process Museum, Ventana Gallery, Oro Valley, AZ (2013); New Paintings, the Bowery Basement Annex, New York, NY (2012); Dark Matter, AMFA Gallery, New York, NY (2011); and Observing Naked Singularities, Vibrational Optics and the Paradigm of a Quantum Life, Galleria Rubin, Milan, Italy (2009). Karadi completed a studio residency at The Chinati Foundation, Marfa, TX in 2017.

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