Watercolors and Drawings
11/8/2019 – 12/11/2019
The paintings of Wilbur Niewald have a deep and persistent connection to his lifetime home of Kansas City, and in a larger sense, to the history of painting itself. After developing a unique abstract language for his paintings in the fifties and sixties, Niewald began to paint in the representational style in 1970, and has continued exclusively in that vein in the decades since. His timeless still lifes, studio portraits, and landscapes are invariably executed through direct observation in a persistent endeavor to render familiar scenes with new clarity through repetition.
This exhibition focuses specifically on Niewald's watercolors and drawings - two mediums that have been part of his practice since the beginning, but which may be less familiar to viewers than his iconic oil paintings. Subject matter will be familiar to followers of Niewald's career. Watercolors are executed in the same handful of places that he paints his oils, and many of the drawings are of his timeless studio in the historic Livestock Exchange Building. However, while the medium may change, the hallmarks of Niewald's work are always present, and his observational skills remain distinctive and unique.
More by Wilbur Niewald (View All)
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Still Life with Bowl of Apples and Green Bottle, 2020
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Still Life with Onions and Green Bottle, 2020
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Still Life with Mason Jar and Tin Pitcher, 2019
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Still Life with Apples and Clay Pot, 2018
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Still Life with Onions and White Drape, 2016
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Still Life with Pomegranates, 2016
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Still Life with Fruit and Gray Pitcher, 2015
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Still Life with Apples and Grey Pitcher, 2012
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Pine Trees at Loose Park I, 2006
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Pine Trees at Loose Park II, 2006
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Still Life with Grey Pitcher and Apples, 1986
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Notre Dame, Paris, 1973